Happy 2008! How better to celebrate than with some kenspeckle tech art that crossed my desk in December 2007?
Camera Obscura 1-∞

To create Camera Obscura 1-∞ [via Network Research], Przemek Zajfert and Burkhard Walther auction off two holes of a pinhole camera on eBay every week. The camera is sent first to one high bidder to take a picture with it, then to the other bidder to take another, usually in a different part of the world, creating an overlapping composite picture.

The example above is from Pinholes #207 and #208. The right shot (#207), called Higher Education, was taken by a John Earl Jones in Schwenksville, Pennsylvania, and the left shot, called Higher Hey du Kaetzchen (unfortunately Google translator renders this as "Higher Hey du kittens") was taken by Manfred Rosenthal in Stuttgart, Germany.
Sounds fun, but I couldn't find any current eBay listings.
Why are numbers so comfortable?

Cody Trepte's hand-quilted binary blanket, Why are numbers so comfortable? [via rhizome] needs little explanation (except for the fact that the binary pattern actually represents the title of the quilt, unless you are actually a computer), but here's his statement on his binary work (which also includes binary needlepoints):
With only a one and zero, all information can be described in binary; it has become the universal language that connects both physical and technological spaces. Binary is so fundamental to our everyday lives, yet when seen out of context it appears abstract. While computers use binary as an efficient method for processing data, I am interested in the process of manually executing information, bit by bit, to explore the differences between human and technological expression. Each cross-stitched piece is the artifact of a performance of inefficiency, an attempt to hold onto the rapidly disappearing human hand in modern life. As each piece is stitched, a bizarre combination of new and old technologies is mixed together to form an image of information, the literal translation of the title into binary.
Encyclopedia of Radio Waves

Encyclopedia of Radio Waves [via information aesthetics] is a book of fanciful drawings by Ingeborg Marie Dehs Thomas of radio technologies (Bluetooth, DMB, GSM, RFID, Wifi, and Zigbee, to be exact) represented biologically. Pictured above is the drawing of Bluetooth from her book.
Ingeorg created the project for Timo Arnall's research project, called Touch, which "investigates Near Field Communication (NFC), a technology that enables connections between mobile phones and physical things."
Timo refers to the book as resembling "an age-old dusty guide to flora and fauna," but I think these drawings look more like microorganisms. At any rate, I love the latin names she gave her radio "species":
Bluetooth: Nevrotis Dentus Aquarae
DMB: Spherum Elektrum Multanum
GSM: Spherum Magnea Globalum
RFID: Raptus Arphadus
Wifi: Videus Fidelus
Zigbee: Nevrotis
data.tron

I admit, after reading the installation description, I have no earthly idea what data.tron [via rhizome] actually is, but all those numbers look awesome in a sort of monolith-from-2001: A Space Odyssey way, no?
Here's the explanation, such as it is:
How many points are there in a line?
What is the number of numbers?
How can we verify that the random is random?
data.tron and data.film are parts of the datamatics project, which is a series of experiments that explore such questions, physically and mathematically. Visitors will experience the vast universe of data in the infinite between 0 and 1.
data.tron is an audiovisual installation, where each single pixel of visual image is strictly calculated by mathematical principle, composed from a combination of pure mathematics and the vast sea of data present in the world. These images are projected onto a large screen, heightening and intensifying the viewer’s perception and total immersion within the work.